Monday
Nov022009

Heroes = Dead?

I was never partial to Heroes. When everyone else was nerdgasming over how “awesome” it was during the first season, I couldn’t sit through the pilot. What can I say? It was crap from the get-go. Of course, it’s now in fashion to shit on the fledging superhero series. With things as bad as they are for NBC, they’ve kept it around even though the ratings have been bad. Hell, a lot of us thought the Peacock network would pull the plug a year ago.

Now a report from Airlock Alpha states that the producers have been told to wrap up the series. Right on queue, the network came out and denied any truth to such claims. But that’s just the thing. Regardless of whether it’s true or false (leaning towards the former myself), there’s nothing else they can do but cry foul.

But honestly at this point, who cares about Heroes? I mean if you can’t get viewers to tune in after seeing Zachary Quinto’s Spock this past summer in Star Trek (something that the general public, nerds and critics alike loved), what will get them to watch? I’m more curious about what this does to NBC as a whole.

Their big gamble with The Jay Leno Show hasn’t paid off and ratings are dropping increasingly by the week. The way things are going right now, it looks like they’re going to renege and not give Leno a second season (even though their deal with the former Tonight Show host is for two years). If that occurs, that automatically results in five hours of open-slots next fall in addition to the just-cancelled Trauma and (if the afore-mentioned report is accurate) Heroes.

Thus I’m willing to bet that low-rated shows like Community and Parks & Recreation will be spared and get renewed as well as fan-favorite Chuck (and maybe even the equally under-performing Mercy). We won’t know how Parenthood does until mid-season. And network staples like The Office, 30 Rock and both Law & Orders (the flagship and Special Victims Unit) aren’t going anywhere.

No network is going to depend on that much of their line-up on brand-new programs. They’re going to have to have returning shows just to cover their bases. Then again, it’s that same mind-set that could get Heroes a fifth season.

Monday
Nov022009

Terminator Franchise Being Auctioned Off

It’s not exactly breaking news that the Terminator rights are up for sale. Various reports (including ours) detailed about it a few months back including rumors that the Governator himself was being sought after for a buy-in with another company. That apparently didn’t work out (or it was just a bullshit Internet rumor).

Now Financial Times reports that franchise rights (which are for film and television related projects, but does not include the previous four movies or The Sarah Connor Chronicles) will be put up for auction later this month. A number of big studios (including Sony who distributed Terminator: Salvation to the international markets) are said to be keeping an eye on it.

Not one to be just a one-franchise studio (like MGM with James Bond), Summit Entertainment is also said to be interested. They’re the folks who turned Twilight from book phenomenon for emo tweens to a top-tier franchise.

For me (and presumably many of you good folks out there), the question is who wants to spend hundreds of millions of dollars behind a franchise that just attempted to revive itself to very indifferent results this past summer. Regardless of whether or not you liked McG’s “franchise revival” Terminator: Salvation, doesn’t its box-office underperformance (mixed with the failure of the Sarah Connor series) prove audiences don’t care about this series anymore? It seems like a waste of time and money to me.

Monday
Nov022009

King Of Box Office

Weekend Actuals (Oct 30th - Nov 1st)

1 Michael Jackson's This Is It $23,234,394
2 Paranormal Activity $16,387,327
3 Law Abiding Citizen $7,403,630
4 Couples Retreat $6,460,525
5 Where the Wild Things Are $5,931,417
6 Saw VI $5,270,794
7 Astro Boy $3,460,651
8 The Stepfather $3,207,792
9 Cirque du Freak: The Vampire's Assistant $3,098,185
10 Amelia $3,034,667

Monday
Nov022009

Nicholson, Freeman & Segal Are Dirty Old Men

A spec script by the name of Dirty Old Men has caught attention right out the gate. THR reveals that cinematic elder-statesman Morgan Freeman is attached with Peter Segal circling around it.

So what’s it about? Doesn’t the title say it all? Essentially an aging playboy meets the love of his life and his BFF and wingman (Freeman’s role) tried his damndest to break them up. An R-rated raunch-fest starring actors past their 60s? I know this will immediately turn off at least half of the readers, but I must see that movie.

Even better is the revelation that Warner Brothers really wants Jack Nicholson to star alongside Freeman. He’s not involved at the moment - not signed on or attached but “aware” of it. But you can imagine the studio likes the notion of re-teaming Freeman and Nicholson after their last collaboration The Bucket List worked out well.

I also remember hearing that Nicholson was originally approached for Bad Santa and wanted to do it. But his commitment to Something’s Gotta Give prevented him from doing so.

Monday
Nov022009

From Tron to Ouija?

Played plenty of board-games during my younger years, but Ouija was never one of them. So reading the news (via Heat Vision) that Universal is moving forward on a film adaptation doesn’t send any kind of feeling – good or bad. I’m 100% indifferent towards the project.

The studio has put the screenwriting duo of Edward Kitsis and Adam Horowitz (whose credits include various episodes of the short-lived Birds of Prey, Lost and the forthcoming Tron Legacy) up to task for making it worthwhile. They’re apparently aiming at something in the “supernatural action-adventure” genre.

No director is attached at the moment although Platinum Dunes are behind this. So heads Michael Bay, Andrew Form and Brad Fuller will be listed as producers. Whether they’ll be actively involved or just have their names slapped on and cash a fat check with zero participation (read: Jon Peters on the Superman movies) remains to be seen.

I wish them the best of luck. Maybe it could surprise us all. But like I said, this isn’t a property that gets a reaction outta me. Granted, I'm also not paying too terribly much attention to the other "board games-turned-franchise" adaptations like Ridley Scott's Monopoly (Russell Crowe as Uncle Money Bags?) or Peter Berg's Battleship.

Still waiting for the announcement of Guillermo del Toro's Candyland or Alexander Payne's The Game of Life.

Sunday
Nov012009

Movie Moan - We're Back

Two weeks off the job, and they're finally back! Our heroes (Phil, Ed, Lou and Jamie) have returned for another edition of Movie Moan here at Think McFly Think. Of course, the delay was Jamie's fault. But it's all been resolved. So it's back to bullshitting about movies, the people who make them and everything else in between.

The second trailer to James Cameron's Avatar trailer is officially released causing Phil to race to his nearest IMAX for tickets while Jamie sits on his ass waiting to purchase his a week or so before it opens. Will it change the way everyone looks at movies? Will Jamie be forced to eat his words (yet again)? Tune in this coming December. Same Moan-Time! Same Moan-Channel!

The guys discuss a wide range of topics including Bronson actor Tom Hardy becoming the new Mad Max, Anthony Hopkins joining the cast of Thor, no John Rhys-David in The Hobbit and the coming of Men In Black 3. All of that, plus why we'll probably never see a new Dune movie, Jamie calling the Na'vi green (when they're clearly blue - thus making him an even bigger dumbass) and Phil getting cut off and returning soon after (thus breaking the 4th Wall of this podcast!)

Movie Moan - We're Back

Saturday
Oct312009

Writers Hired For Roger Rabbit Sequel

I realize it can come across as a surprise from time to time. But when they're not hit-whoring with bullshit non-news like J.J. Abrams saying he's "game" to direct the next Superman movie, MTV can actually get some good exclusives.

Case in point: Remember when Robert Zemeckis was acting coy about a Who Framed Roger Rabbit sequel during Comic-Con? He wasn't kidding. MTV got confirmation straight from the Back to the Future and Forest Gump director himself. A follow-up is in development and the studio has gone ahead and hired screenwriters for the job.

They might sound familiar - Jeffrey Price and Peter Seaman. If you're too young to remember (or care), they were the writers behind the original 1988 film. That's all fine and good. But with old Bob already working on his update of Yellow Submarine for 2012, don't expect to see Roger Rabbit return in the near-future.

There's also the chance that this latest attempt to revisit Toon Town falls apart like previous ones did.

Saturday
Oct312009

TMT Presents: Five Nights Of Halloween - Halloween Night

Tonight is the night. Halloween. We've laughed and snored through, "Slaughter High", "Christina's House", "Don't Look In The Basement", and "The Lair Of The White Worm". You, just like myself, have suffered through all that is bad to get to all that is good about these films. We're all pretty lucky that we've made it to Halloween night. Tonight is their night.

Night Of The Demons

Ten high school seniors. A mortuary. A Halloween party on Halloween night. Let's throw in a seance that releases a demon and you've got yourself one hell of a horror flick. Filmed in Los Angeles over a period of a couple months this film could not score distribution from any American distributor.  Once a European distributor stepped in this film enjoyed a very limited US theatrical release and because of the really low budget did end up turning a profit.

"Night of the Demons" is the most gory of all of the films we've watched together, so be prepared for lots of blood and goop. You'll have the pleasure of a female demon leaning in for a kiss with her male counterpart and coming away with his severed tongue in her mouth. If tongue wasn't enough for you another female demon rips out the eyes of a male she is having sex with after he won't discuss her caked on make up. A couple others are having sex in a coffin and then the male breaks the females neck. You get it all with this one, sex, violence, "It's so bad, it's good."

TMT Presents: Five Nights Of Halloween

Halloween Night One: Slaughter High

Halloween Night Two: Christina's House

Halloween Night Three: Don't Look In The Basement

Halloween Night Four: The Lair Of The White Worm

Friday
Oct302009

TMT Presents: Five Nights Of Halloween - Night Four

I can't believe we've mad it this far. Welcome to the fourth night of our "Five Nights of Halloween". So far we've watched "Slaughter High", "Christina's House", and "Don't Look In The Basement". Tonight we're going to treat ourselves to a horror film that comes straight from the mind of Bram Stoker.

The Lair Of The White Worm

The film is set in England where an archeology student is excavating at a local bed and breakfast which is run by two healthy looking sisters. The archeology student finds a skull that seems to be that of a giant snake. After showing his find he is informed that it might have something to do with the legend involving a worm, a giant one of course. Supposedly the snake was slain many years ago by an ancestor of Jame's d'Ampton. Guess who is playing James d'Ampton, none other than Hugh Grant.

Hugh Grant wouldn't be the first well known actor to make an appearance in a really low budget and badly written horror movie. Johnny Depp got his start in "A Nightmare On Elm Street", Kevin Bacon got bungled in "Friday The 13th", and Jennifer Anniston ran around and screamed in "The Leprechaun". The difference being that although Depp or Bacon didn't really help make the films good, "Nightmare on Elm Street" and "Friday The 13th" are both classics while "The Lair of The White Worm" is not even close but it is certainly "So Bad, It's Good." So if you want to see a giant white worm, Hugh Grant, and a scantily clad woman with fangs, this is the movie for you.

 

Friday
Oct302009

Memo To The Executives - G.I.Joe: A Real American Hero

 

Why am I even bothering to pitch this one, you ask?  G.I.Joe will most likely not be getting a sequel.  ‘Rise of Cobra’ did not bomb but it didn’t exactly set the box office alight either.  Not to mention that there are probably very few people out there salivating for another film.

But dammit, I am.  The first film is undoubtedly going to make it onto my top ten favourite films of the year, not because it is one of the best but just because I had such a good time watching it.  Where Transformers 2 crashed, burned and wasted my time for an agonizing 150 minutes, G.I.Joe had a pulse; it had energy, action sequences where I could actually make out what was going on and it gloriously revelled in the kind of large scale absurdity that no action/spy films do these days, the rest of them so determined to be gritty and realistic. 

In all honesty, I think if a sequel really is going to be made then its going to be a step down in quality (and the series wasn’t on that high of a pedestal to being with).  My sadistic side wants to see the film made purely for the pleasure of seeing Christopher (never should have left Doctor Who) Eccleston and Joseph (eyebrows should have been given separate billing in the credits) Gordon-Levitt prance around for two whole hours in those ridiculous masks.  I want to see just how crazy this show can get.  But it’s my job on ‘memo to the executives’ to take things seriously and have an honest stab at how a sequel to G.I.Joe could, potentially, rock the lives of the kids who grew up with it.

Let’s start with the story threads the last film left us with.  Cobra Commander and Destro are incarcerated.  The Baroness is seemingly a normal person again having had her mind control thingy removed and despite these setbacks, master of disguise Zartan is now sitting comfortably in the oval office under the guise of the President of the United States.  Even in defeat, Cobra has taken over the country.  Despite what I believe is a blatant rip off of Mystique taking the identity of Senator Kelly in the first X-Men movie, there is a lot that can be done with the idea of a Cobra operative being one of the most powerful men in the world.

What I would really love to see is a slight change in tone, edging more towards satire.  You got the feeling with the first film that it knew it was meant to be fun but it wasn’t always aware of how silly it was.  The cartoon always had that self awareness.  In one particular episode entitled ‘Cobrathon’, the Joes raided Cobra Commander’s secret stash of treasure rendering him bankrupt.  In order to raise five billion dollars to keep Cobra from sinking, the Commander decides to hold a telethon.  In the midst of all this, the Joes raid Cobra’s HQ, ‘The Terrordrome’, but instead of a fight against a million enemy soldiers they find a real estate auction going on.  That’s the kind of absurdity I want to see.

So imagine that with all his power and influence President Zartan is not only able to get Rex/Cobra Commander and Destro released but frame the Joes as a rouge outfit that launched an unprovoked assault on the MARS Industries weapons facility in order to steal its state of the art technology for itself.  Having blown the lid off of G.I.Joe to the rest of the US defence community and the public, they find it very easy to swallow the story they are being fed.  Meanwhile, since we were told in the last film that MARS makes 70% of the world’s weaponry, surely the war economy of the entire planet would collapse overnight if it went belly-up.  As such, the world powers are only too eager to apologise for the events of  the last film and hand over an entire private island (somewhere exotic like Palau for example) to Rex and Destro to rebuild their organization and get back making their state of the art weaponry.   Cobra Island is born.

From here, things can get really crazy.  MARS Industries is rebuilt into the Cobra organization and Rex and Destro realise that there won’t be any need  to plan nuclear assaults or schemes of world domination any longer.  The world has just been handed over to them.  They have the funds and the skills to continue pioneering deadly weaponry.  With a President already in their pocket they can influence policy and rig the elections to make sure they keep Cobra in office.  We could see a direct lift of that episode of the cartoon and watch Cobra’s first annual telethon.  We can start a scene from the outside of the Terrordrome as the camera closes in and hurls through its foreboding giant doors and ominous corridors.  Expecting to see Cobra soldiers doing drills or torturing prisoners or some such despicable act, we actually see a bunch of them sitting at desks with headsets operating a call centre for their legitimate arms operation:

“Good morning, you’re though to Cobra customer service line.  My name’s Gerry, how can I help you?”

“Yes sir, five trouble bubbles and a Neo Viper; would you like a receipt for that?”

“No madam, fuel is not included with the Cobra Rattlers.  I made that perfectly clear when you ordered them.”

“Congratulations, you’ve placed on order for $500 million dollars or over which makes you qualify for one of our free gifts.  You can choose from a nanomite needle starter kit or a chocolate fountain.”

Ok, I’m trying to be funny (with ‘trying’ being the operative word).  I’m not suggesting the next film become an all-out comedy but that it harness the biting humour of its source material, while also maintaining the wonderful character dynamics that we remember.  If you ask me, the relationship between Starscream and Megatron in Transformers cannot hold a candle to the power struggle between Cobra Commander and practically everyone in his organization trying to overthrow him.

While G.I.Joe, having been driven underground to escape arrest, can do nothing but watch in horror as the world turns to ruin.  Their only hope seems to be, as it usually is with successful companies, the greed, jealousy and ambition of the people within.  The Baroness is recruited by the Joes as a double agent, being their only hope of infiltrating Cobra Island.  But once she reunites with her old lover Destro, who secretly plots to overthrow Cobra Commander and take back the organization for himself, she begins to question which side she’s truly on.  Meanwhile Cobra Commander, being no fool, is on to Destro’s plan and has an equally sticky end planned for him.  And in the middle of it all Zartan, knowing he is the cog in the machine which keeps everything running, starts to have second thoughts of his own about whether he wants to be Cobra’s lap dog for the rest of his life or actually run the country himself.

Whether you liked or disliked the portrayal of the bad guy characters in the first film, I think it should be easy to mould them into something truer to the source material, with one exception.  The first film’s portrayal of Cobra Commander, or Rex the eyebrow raising doctor, whatever you want to call him, did not sit well with me.  The whole appeal of the character in the comic and cartoon was that you didn’t know a thing about him or his past, beside the fact that he was the leader of a ruthless terrorist organization determined to rule the world.  People like that tend to keep their identity hidden.  You could imagine anybody was under that mask.  You could create your own backstory for him.  The filmmakers felt the need to provide an origin for the character and tell us exactly how he became Cobra Commander.  The problem you now have is that the fans want to see a masked look that is faithful to the source material but the adaptation in the first film provides no logical reason for it.  What is the point of Cobra Commander wearing a mask encasing his entire head if Duke and the Joes now know exactly who he is and what he looks like?  I think I’ve answered my own question. 

Maybe some of you out there enjoyed watching Rex (the friend), Baroness (his sister) and Duke (her lover) play happy families in the last film and want more of it in the second, particularly the concept of how the relationship will now play out between brother and sister now that she knows the truth.  But I’d rather not.  Personally, I think this particular commander needs to be cut loose.  I would keep Rex as Cobra Commander for the first half of the film while introducing a mysterious masked character who acts as his own personal bodyguard.  Once Cobra’s world arms selling operation is in full swing, Destro makes his move to dethrone the commander and recruits said bodyguard to kill him.  Rex doesn’t see the enemy in front of his face and is promptly assassinated paving the way for Destro to take control of Cobra, but the bodyguard has other plans.  He assumes the mantle, identity (and costume) of Cobra Commander giving Destro the impression that it was Rex who managed to survive and kill his assassin thus stopping the planned coup.  Destro returns to plotting his next takeover assuming that the commander is unaware that he was the orchestrator.  Only the audience knows the Commander is now the very man Destro hired to kill him.  With this foundation, we get a new Cobra Commander, one whose face we have never seen, with no past and by the bodyguard allowing Destro to remain ignorant of the truth, we have no idea what his true game plan is.  And if the fans are still unhappy, I see no reason why the costume can’t be changed to the traditional blue duds and chrome face plate, and that they can’t get the best Chris Latta impersonator in the land (if there is such a man) to supply the original voice we all remember.

But just a moment; we haven’t really talked about the Joes themselves yet.  Does anybody really care about the ones we got in the last film?  I shouldn’t think any audience is excited about the prospect of Channing (last choice) Tatum leading the charge of a bunch of characters only slightly less bland than him.  I’d like to suggest something drastic.  For the next film, why don’t we get an entirely new line-up of Joes and completely remove the team from the first film.  After all, G.I.Joe is a huge operation with a huge list of characters still waiting to hit the big screen.  I can think of nothing that will get the fans excited more than saying the team from the first film are on a mission somewhere off screen, allowing a whole new roster to save the country.  I suppose they could keep Snake Eyes but he has to lose that ridiculous rubber mouth.  But you can also pick from Flint, Lady Jaye, Shipwreck, Roadblock, Quick Kick, Lifeline, Dialtone, Gung-Ho, Wetsuit, Leatherneck or my personal favourite Beachhead, the ill tempered drill instructor.  This could be an element which makes the series stand apart from all other ‘team’ movies.  Rather than continuing to develop the characters you have and throw new ones into each successive film to appease the fans, switch the team around.  It isn’t as if there are any characters to develop from the last film anyway.

While having mentioned what to change, I want to make note of how much I enjoyed the action sequences of the first film.  It was amazing to find, after groaning through trailers and TV spots of those accelerator suits, that the actual Paris chase sequence with Duke and Ripcord running at super speed against the flow of traffic, dodging flying cars as if they were basketballs, was huge fun.  I want the scale upped in the next film.  I want aerial dogfights and kung-fu.  I want to see a massive free for all scrap on the deck of the Joes aircraft carrier the USS Flagg (the toy of the 80’s that no child could afford) where Shipwreck and Destro have a sword fight.  And I want to see the Joes make the final charge though Cobra Island’s defences and march on the Terrordrome.  When the chips are down, even in the face of a country which has abandoned them, the Joes never give up the fight for the US of A; hence the well earned subtitle ‘a real American hero’.

So what do you say folks?  Are you ready to cry “Yo Joe’ once more or am I just flogging a dead toy?

 

p.s. I don’t want any stupid ‘Black Eyed Peas’ techno rap song playing during the end credits either.  There’s nothing that says G.I.Joe less.